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This was in a Vistek ad…some cool tips you may want to use.
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Digital Black and White4 B; E2 R9 R/ P
Shoot in RAW and underexpose your image by 1/2 stop to a full stop. b# J) F: `, G) |6 x3 q6 s
Use the shadow and highlights tool in a RAW software program to
% ?6 c& _+ M# I+ |8 Z/ lrestore shadow detail and Exposure Compensation to bring back details without overexposing highlights. Use the Channel Mixer, Black and White. e/ A v4 ?/ ?. w4 Z
methods provided by RAW and you'll have a correctly exposed black4 c0 z. x: `4 C' }4 B2 x' b7 C* D
and white image.3 P( D- M' A" ]# e
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White Balance e6 H" m: T* z
If in need of a quick white balance tool, you can use a standard
7 ~4 l8 o0 w- twhite coffee filter. Use the custom camera white balance while aiming
2 y7 y7 s: i! R Wthe coffee filter and lens to the opposite of the light source to get white. r# w8 j% ?7 v& e
balance. I always keep coffee filters in my camera bag for
4 j5 v* q4 ~/ T+ G/ }5 msuch occasions.. ]- c7 e s8 @9 N+ e
4 U9 m4 s' T8 I0 c* G- b/ YPseudo ISO Boost4 V x* o0 ^. f5 T( W# r0 y
If you’re shooting in the dark at a concert venue and need more
1 l: G; W5 c' [' C. W! K( t3 s zISO boost from your camera and faster shutter speeds - choose
4 q/ o+ v3 T0 |; V0 Jthe highest ISO setting on your camera and underexpose your image
- Z$ A# V6 w) K$ f. x+ H4 hby one stop. Then you can use a RAW processor to overexpose the) n% \6 I! Y! F9 r: \
image by one or two stops. Image noise may be higher but this6 e' r" E& c9 Y; c
works very well for concert, venue and event shooting. |
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